A Taste of India

July 23, 2019

One afternoon, while leaving a music event with my girlfriend where we were shooting, we drove by a large Indian festival that was open to the public. It was an annual event called A Taste of India and it grabbed our attention enough that we parked and went inside to see what it was all about. We walked through several rooms that were filled with vendors selling all sorts of Indian clothing, jewelry, and accessories. There were children, families, people of all ages milling around and buying up the merchandise.

The rooms were awash with color as all of the rooms were filled with items that were bright and saturated with color. Pastels were not to be found here. There were necklaces, shoes, wraps and more wraps. I’m sure they are not called wraps but that’s what they did. Men’s clothing and women’s clothing of all sizes. Accessories I could not identify. It was all here and all so colorful.

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As we ventured out into the hall, there were tables set up with more jewelry as we found our way to the entrance to the main event – the food and the dance.

I know I’ve never seen so much color all in one place. The music was upbeat and energetic. On the stage was a team of dancers. Puzzled by what was going on, we asked some others nearby and discovered that the main event was the Bhangra dance contest among teams made of primarily college students of Indian and non-Indian descent. What I noticed right away was that absolutely everyone, on stage and off, was smiling and having a wonderful time.

Those who were not competing or not competing at the time, were out in the audience singing along and cheering for those on stage.

I instinctively went into live music mode and started shooting as if it were an assignment.

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Having just brought in a general purpose zoom lens and realizing this was so much bigger and more exciting than either of us had realized, I eventually went back to get the rest of my gear. I would need a second body, my double strap, and my fast 70-200 zoom.

During my usual reconnaissance mission of checking out the entire scene for photo opportunities, I ventured to the side and then behind the stage. I don’t break rules when I’m shooting and I always try to be respectful of others, especially those who paid to see a show, but I am well aware that when carrying big photo gear, people instinctively open doors for me, often literally, and invite me in for the best shots. This was no different.

The various teams were corralling to the left of the stage and although some of the teams were wearing similar costumes, the bold colors made them all look the same when they mingled together. And mingled they did. It was refreshing to see so much camaraderie among the competing teams. They applauded for one another and offered wishes of success before taking the stage for their acts.

Just as the teams were excited, so were the individual performers. It was evident that this was the biggest event of the year – the one they had all worked toward.

There were a lot of families that had come to help out and watch, both young and old.

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Although there was plenty of Indian food of all types to be had, the main attraction was the dance competition.

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The demeanor of the contestants varied from nervous and bored to excited for the young ones, and just plain excited for the college team members and other adults.

The dances ranged from traditional Indian folk dances to more modern hip hop style and included classical and what they call Bollywood dance.

Most of the dances that we saw were very upbeat and involved a lot of spinning, jumping, and the use of all sorts of accessories to make noise or just look really flashy. I can only assume that many were patterned after traditional musical instruments and hunting or fighting implements.

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At the end of the competition, the winners were announced and congratulated by all, especially by the competing teams. It was a display of good sportsmanship at its finest.

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Interested in getting better pictures? Consider one of my private or semi-private clinics.


New York City Perspective

July 23, 2019

 

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New York City is a fabulous place to go with a camera. There is no shortage of photo opportunities, whether it be the many fabulous buildings towering above your head or the never-ending supply of people who live, work, and visit there. On a recent visit there, I decided to make a project of sorts by carrying only two lenses; a 15mm fisheye, one that Canon stopped selling several years ago, and a 16-35mm super wide zoom. Buying the fisheye was one of my best purchases ever. It allows me to get totally immersed in a scene and it gives an almost-human field of view. The super wide also has an all-encompassing view but keeps distant detail from disappearing completely as in the case of landscapes.

The fun part about using such wide lenses is that I can include people in the frame without them realizing they are part of the scene. When it looks like I’m shooting over their shoulder, I’m in fact making them the primary subject, bringing the entire scene in with them.

Tall buildings are especially fun to shoot with extremely wide lenses. Because it exaggerates the perspective as compared to other lenses, I can capture foreground detail and immense backgrounds. With a little tilt in the vertical, I can reach the tops of nearby buildings yet capture the street scene below.

In order to use these lenses properly, you really do need to get close to nearby objects. And although they capture a rectilinear scene in a curved manner, I can choose whether or not to correct for the geometry, straightening heavily curved lines, or leaving that amazing, surreal perspective intact. Landscapes with these lenses are breathtaking, especially if there are some features in the sky. And the depth of focus is huge, allowing me to have an infinity just barely an arm’s length away.

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As in any large city, the possibilities for striking crowd shots in New York City are nearly infinite. There is a colorful mixture of local business people, those who live here or who commute, those who call the streets their home, and those who come from afar just to visit this magnificent place. Although I was clearly a visitor, carrying around big camera gear, at times I felt like a foreigner to a distant country as the languages spoken around me were only occasionally recognizable.

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With such wide lenses, it’s easy to shoot from the hip without even focusing. Especially with the fisheye lens, since the geometry is so distorted, unless there is a horizon in the scene, it’s just not necessary to worry about whether or not your shot is level. I enjoy the fact that the camera orientation is determined by the scene composition because it leaves a lot of room for unique shots of otherwise familiar scenes.

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Above is a perfect example of including people in the foreground without concern that they will politely step out of your picture, thereby ruining your scene. Wide lenses give you the freedom to shoot totally candid pictures, often before the scene elements change or disappear.

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Correcting for the geometry causes the severely curved lines to straighten. The amazing perspective makes it appear as though buildings are leaning toward the center. As this image demonstrates, New York City is one of lots of color.

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When walking among people, I love the ability to catch them totally unaffected by the presence of my camera. I was nearly stepping on the heels of these two businessmen while taking this shot. But by shooting so closely to them, it allowed me to capture their details and plant them in their surroundings much more effectively. Almost any other lens would have lost the enormity of their scene. It helped turn what would have just been a snapshot into a photograph.

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New York City has more open areas for people to just relax and get away from the masses than I had seen in previous visits. Like other large cities, there is a confluence of so many different people, each with very different reasons for being where they are. In the evenings, the cityscape is quite different. The many business people and visitors go home while others remain indefinitely, trapped in their fight for existence.

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A visit to any big city is surely worthy of a trip to the top for a very different view. Rather than fight the long lines at the Empire State Building (center above), I ended up at the top of the Rockefeller Center, almost as high, where I got a good view of lower Manhattan to the South, New Jersey to the West, Brooklyn to the East, and Central Park and Harlem to the North.

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In New York City, there is no shortage of visitors from all over the world. The most common foreign accents to be heard however are from India and Asia. Here, at the top of the Western world, the noise of the busy city is replaced by the wind and silence of people taking in the breathtaking view. There was, at least for a few minutes, a transformation from the hectic and almost survivalistic, shoulder-to-shoulder nature of the ground below to that of a more relaxed and almost philosophical one above.

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I’ve never driven in a big city like this but surely there’s a science to it, especially during the day. After a while you become almost immune to the nearly constant horn honking as drivers, mostly taxis and delivery trucks, try to exert their meager right of way over the constant flow of people around them and the almost nonexistent flow of traffic in front of them. And the occasional wail of emergency sirens makes you wonder if help ever arrives in time, with all the people and cars each pushing along on their own important journeys.

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Despite the busy and hurried nature of the business, banking, and shopping districts, Chinatown was one of normalcy by comparison. Here, mostly older people collected together to enjoy games or play music of their people. Those who weren’t participating were watching with just as much concentration.

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Along this narrow back street, many cooks and shop employees were seen relaxing, away from the customers, and catching up on some personal time or the news of the day, usually with a cigarette in hand…

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…while back on the front, someone was always at station, trying to get a piece of the American dollar, luring shoppers and hungry patrons into their stores and restaurants.


Walking Tours

July 23, 2019

One of my favorite photographic things to do is to simply walk around urban areas and look for scenes grab my attention. They can range from wide, scenic views to detail shots of something that just happened to catch my eye. Some of the cities that I like to frequent include Hampton, Norfolk, and Richmond, all of which have their own unique visual signature.

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Richmond is just over an hour away and provides plenty for the photographic eye. The old downtown area has been going through a revitalization in recent years but much of the old is still there and is being preserved. On this particular day, the sky was a perfect mixture of blue sky and white clouds providing plenty of sunshine and shadows to work with.

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There is so much to see here that one trip is not enough to even scratch the surface. Consider checking out the Shocko Bottom area. Park there and just start walking and you will find a plethora of architecture and style to keep you busy behind the lens all afternoon. It took a fisheye lens and three different exposures to capture this street scene.

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If you park at the locks you can walk along the canal to start your journey as there is a lot to please the eye there. Wide lenses will be necessary to capture the all that is around you. I usually carry two full frame camera bodies, one with a 16-35mm zoom and the other with a 70-200mm. I keep the fisheye handy for the extreme views that I always seem to find. Here, you’ll find lots of people walking, jogging, or biking along the canal.

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Where the canal goes under the roads, you can find all sorts of interplays between light and shadow, with little surprises around every corner. Here, the fisheye came in handy for this all-encompassing view.

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Be sure to check out the pipeline walk along the rapids of the James River. With ever-changing views, this is a must-do. Here again, wide lenses come in handy with the downtown coming into view. A narrow stairway leads down the bank of the river to the half-mile long pipeline where you have an easy walk, complete with hand rails and a sturdy metal walkway. Beware however that after the first quarter mile or so, both the rail and the walkway terminate, leaving you with only the curved, bare concrete pipe itself and the water below. It’s quite shallow when the water level is low but that can change drastically as the river swells with the flow.

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Back up to the road level, you are greeted once again with lots of exciting architecture. Above is the train station that is worthy of a walk inside.

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Like Richmond, the warehouse district of Charlottesville still has plenty of old buildings mixed in with the new. Here, from beneath this trestle, a solitary ribbon seems to mark an area of needed repairs.

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Nighttime in a city can be fun to shoot because it’s so much easier to see what’s going on inside lighted building. Here, a woman is getting her hair styled in the Ghent section of Norfolk. Lens hoods are especially helpful when shooting through glass as they greatly reduce reflections from behind.

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Norfolk’s neon district, also in the Ghent area, is full of colorful wall art and graffiti from local artists as well as neon lights and light sculptures.

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Of course the downside to shooting at night is the low light available. I shoot with f2.8 lenses, usually wide open, which makes for shallow depth of field. I used a 70-200 for the shot of the artist above, after asking him to try not to drop paint on me.

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Once a year, there is a neon celebration where some of the businesses become evening art galleries. This is a macro shot of one of the neon sculptures in one of the galleries.

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Toward the downtown area of Norfolk one can find the historic NorVa. It started out as a Vaudeville theater in 1917 before becoming a movie theater in the 70s. It then became a men’s gymnasium and finally the live entertainment theater as it exists today. It has hosted the likes of James Brown and Prince.

 

Although it’s not a large city by any means, downtown Newport News has a few high rise apartments. A moderate length lens is plenty for capturing it all around you.

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Newport News forms one half of the lower peninsula of Virginia and is bounded by the James River and the Hampton Roads harbor. In addition to a very large shipyard, the Navy keeps a few crane ships anchored right by the downtown area. This is a sunset shot of one of those ships.

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Also in the downtown area of Newport News are several old churches.  A 16mm shot under clear blue skies reveals a stark contrast in this shot.

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The other half of the lower peninsula is taken up by Hampton and is my home town. This fisheye view of the downtown area shows the old post office on the left contrasted by a new bank building on the right.

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Just a short walk away is the waterfront on Hampton Creek where you can find several seafood businesses that have been operating here for many years. These are the boats of the Amory Seafood Company. Another fisheye view brings the boats together to frame Hampton University on the opposite shore.

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This view captures the Virginia Air and Space Center in blue and the historic Hampton carousel under the Christmas holiday lights.


Software

July 23, 2019

Here I present information about the software I use or have reviewed. Rather than regurgitate marketing materials provided to me, I will offer my own experiences and opinions after having used the various products myself.

Photoshop/Adobe Camera RAW
Part of the Adobe Creative Cloud, Photoshop CC as it is now called is only available by a monthly subscription of $20. Many software companies have made the move to subscription only. The advantage is that you are always updated with the latest version while the disadvantage is that you are constantly paying for the service. Personally, I think it is a good deal even though the price has recently doubled. There are some alternatives for free but you get what you pay for in my opinion. It is hard to beat the many thousands of free online tutorials that are made only for Photoshop (or Lightroom), something you just don’t get with the less popular software. Add to that, the local knowledge base, and it’s hard not to go with the crowd.

I call Photoshop the great tool box of image editing. It has pretty much everything you need to create amazing images and artwork. Like any toolbox however, it can be overwhelming when you first open it and see all the tools and functions available. Realize that you only need a few of these to get started. And for me, even after quite a few years of using it, I still only use a small fraction of what’s there. So don’t get overwhelmed but relax and just use what you need.

I group Adobe Camera RAW (ACR) with Photoshop because they are an integral set of tools that I use to start on any image editing. When I open a RAW image into Photoshop, it opens into PS but also opens ACR where my image first appears. It is here where I do almost all of the tonal edits to my images. The ability to have presets is useful once you develop your own style of editing, especially if you have a large number of images that were taken under the same conditions.

Once I have finished with ACR, my image then opens into PS proper where I perform my final processing, usually noise reduction and sharpening, and final touchups including any cloning of problem areas, and then adding my watermark.

For me, Photoshop is an indispensable part of my editing process. I use it to launch several plug-ins including Fisheye-Hemi, Noiseware, Photo Lemur, and Topaz Adjust.

Lightroom

Like learning a new language, switching to a new software platform can be painful. Lightroom comes to you as part of the Adobe Creative Cloud. I have tried to make the switch a couple of times but I found it to be futile. It does a nice job of categorizing your images for you but if you already have your own method for doing that then you may find LR to be as frustrating as I did.

Many swear by it just as others do Photoshop. I think it has a simpler interface for those who are new to image editing but it lacks many of the sophisticated tools that you will likely end up wanting to use. You can easily open images from LR into PS for that. But again, I’m so used to the PS environment that it’s hard for me to make the change and I’m completely happy with that.

To download a free trial of Adobe Creative Cloud and start using it today, click here:
https://www.adobe.com/products/photoshop/free-trial-download.html

Photomatix Pro

One of the standalone programs that I use frequently is Photomatix Pro. This is a nice companion for combining multiple exposures when you use auto exposure bracketing to construct high dynamic range (HDR) images. Although many cameras provide in-camera HDR, they typically output as JPEG, making any further edits highly destructive and in the 8-bit color space as opposed to the 16-bit of RAW. With Photomatix, you load your RAW images and select the blending parameters and it outputs a 16-bit image that you can then further manipulate in Photoshop or your favorite editor.

The Grand Tetons using Photomatix Pro. Three exposures taken 0.7 eV apart.

To download your free trial and start using Photomatix Pro today, click here: https://www.hdrsoft.com/download.html

Fisheye-Hemi

Adobe Camera RAW offers automatic lens corrections which loads profiles for correcting the geometry, light falloff (vignetting), and other shortcomings that many lenses have. Especially when using fisheye lenses, I often prefer the corrections offered by the plug-in, Fisheye Hemi, especially when people are in the scene. In many cases it renders the geometry better and doesn’t seem to chop off as much of the original scene as the built in profile does. Of course sometimes I prefer not to correct for any of the geometric distortion of the fisheye, preferring that surreal look.

22732273Fisheye image in New York City, geometry-corrected with Fisheye-Hemi.
Fisheye image in New York City, geometry-corrected with Fisheye-Hemi.

To download and start using Fisheye-Hemi today, click here:
https://imadio.com/products/prodpage_hemi.aspx

Noiseware

This is another plug-in for Photoshop and one that I use on EVERY image edit. I turn off all of the noise reduction and sharpening provided in Adobe Camera RAW and do it all in Noiseware. For me, it tends to reduce more noise and do it in a more graceful manner. And since I often shoot at ISO values well above 5000, I depend on good noise reduction and subsequent sharpening.

2-7D-ISO-12800-820x10242-7D-ISO-12800-820x1024Shot at ISO 25,600 and using Noiseware for noise reduction
Low light scene using Noiseware for noise reduction and sharpening

To download and start using Noiseware today, click here:
http://imagenomic.com/Products/Noiseware

Photo Lemur

Photo Lemur is another plug-in to Photoshop and one that I haven’t had a lot of use for, probably since I have extensive experience in editing the types of images I capture regularly. I will be using it more, to see what it may offer me, especially in the snapshot department, where the images are less artful or technically challenging. Family shots with my cell phone come to mind.

To download a free trial and start using Photolemur today, click on the link below:

PhotoLemur

Topaz Adjust

Adjust is one of several offerings from Topaz Labs. Designed more as a set of one-touch preset filter, it offers some really fun effects, most of which I find do not fit into my usual toolbox. If you can imagine it, you can probably find it in Topaz Adjust. As an official affiliate of Topaz products, please support me by clicking on the link below to download your trial version or to purchase.

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Cy Curnin of The Fixx with Topaz Adjust for increased sharpness.

To download a free trial and start using Topaz Adjust today, click here: https://topazlabs.com/adjust/ref/236/

Topaz Studio

If Topaz Adjust has a lot of offerings, then Topaz Studio is a whole world of offerings. I find it to be pretty memory intensive for my laptop work but if you need a wide variety of artistic renderings of your work then you are bound to find it here. Another plug-in, it is accessible directly from your filters menu in Photoshop.

 

To download a free trial and start using Topaz Studio today, click here:
https://topazlabs.com/trials/ref/236/

Topaz Studio
 
 
 
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Resources

July 23, 2019

Listed below are the resources I use on a regular basis. I hope you find them as useful as I have.

B&H Photo has become my first choice in Internet purchases for new gear. I used to alternate between them and Adorama but the slowness of Adorama’s website has just turned me off for now. I typically only use these two for new gear because the prices are right, they are fast, they have great return policies, and they don’t hide extras like factory warranties. I’ve heard horror stories with many of the other dealers out there.

Adorama, like B&H, offers the best prices and reliability.

Ken Rockwell offers very detailed and helpful reviews on his site. I use it extensively. You can help him out by clicking on the links in his article when you make your purchase. You usually get free items like bags and monopods by going through him. Just be warned that he sometimes has strong opinions about how you should use your gear. Otherwise it’s a great resource that I highly recommend.

DPReview is another great resource to use when shopping for gear. I especially love the side-by-side feature comparisons and the amazingly in-depth performance studies given in great detail.

I look to eBay for used gear purchases. Why buy used? Well, when you have the choice between an $11,000 new lens and a $5,000 used one that looks new, eBay is a good place to check out. Just beware of scams and always, always, always use Paypal.

Roberts Camera is one of the good shops I have found that lists great used gear on eBay often.

If you are bewildered with the many autofocus options on Canon’s new 7D MkII, don’t feel alone. Check out the article by Steven Blanden or another one by Nasim Mansurov. For birds-in-flight shooting, check out this article by Tim Boyer.

The following are some fun pages of some of my friends:

Wendy Podmenik Darugar Photography
Pixgirl Jenn
Jim Hansen

Interested in getting better pictures? Consider one of my private or semi-private clinics.

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